cowsBy Amy Kilgore Mangus “There is a general, universally experienced quality to a lot of my subject matter. That is a very conscious decision on my part. I cannot conceive of an art that doesn’t seek the widest possible audience,” Butler explains. Cows are another common theme in Butler’s paintings. He depicts them comically — fat, slow and unwieldy. Often they are in the wrong place, like standing on the beach. Butler observes their blank stares convey a human-like quality, almost as if they are a benign version of ourselves. “People like ‘em and I keep doing them,” Butler declares with a laugh. A full-time painter, Butler’s medium is strictly oil on canvas or oil on paper to make monoprints. He uses vivid colors and mass to create space. He edits out complexities to achieve simplicity in his work that appeals to a wide audience and does not require too much thought to enjoy. As a rule, Butler works on one painting at a time, which may take anywhere from one day to one year. Butler, 59, has identified himself as an artist since he was 15 years old growing up in northern New Jersey. He was reared fully exposed to art, visiting museums and galleries in New York. He fell in love with art and the masters: Rembrandt, Cezanne and Van Gogh. Butler earned his Bachelor of Fine Arts from University of North Carolina Chapel Hill in 1976. A North Carolina resident for 26 years, Butler says he enjoys being in a rural setting. The American South appeals to him — the manners, food, music and culture. “Small town life agrees with me,” Butler says. “And there’s a real market in North Carolina for the arts.” Above: Butler at work in his Clinton studio. Right: Aspen Grove, 60 x 60 inches. Opposite, paintings from top: Three in the Water, 36 x 40 inches and Beach Cow, 40 x 51 inches. 38 WBM may 2014
Wrightsville Beach Magazine May 2014
To see the actual publication please follow the link above